Sunday, August 11, 2024

In Sympathy for the Passing of Your Estranged Father


My father is dead. 

I spend some time before he dies participating in a modern-day vigil. My sister texts me that our father is on hospice. At frequent intervals, she sends me stats. Oxygen saturation, IV’s unhooked, a sleep state he may not come out of. This goes on for a few days. 

True to an inheritance that is fraught with alliances, broken alliances, factions within factions, egregious boundary violations, a first family, a second family, and a history so pockmarked that it is worthy of a limited series on any streaming service, my sister and I assume our usual positions. There is a primary connection to our father who she will speak to but I will not. My sister feeds me information. 

The primary source to our father is with him all the time. A small number of visitors come by to see him. My sister reports back to me. 

We discuss how relatively few people come to the bedside. Our father is old and many in his circle have died. 

Our father has also burned bridges recently with several family members who, if this happened a few years ago, would likely be at the bedside, but since nothing got mended, they stay away. 

Then there are those who would never be at the bedside because he burned the bridges a very long time ago. 

There are those who would not go to the bedside because the primary source to my father is there and, like me, they choose to not have contact with this person. 

I am the holder of memory, the decoder, the person filling in the blanks of our shared past. My sister sends me photos of our father. I lend context. That’s him during the Cuban missile crisis. That’s his best friend Frankie. People who my sister thinks are blood relatives are not. People she’s never heard of are. I call myself a repository and my sister laughs, but it’s true. I do not want to use my ability - my gift -  to keep years and years of genealogical shit straight to make a family tree. But ask me anything and I’m happy to tell you. 

I have Covid. I work at an in-person job. HR from my company sends over the latest Department of Health guidelines. The protocols now are so loosey-goosey that I realize on Sunday that I meet the full criteria to return to work on Monday. I also know that any more days off could mean not getting paid, as I’ve already used up most of my PTO. I mask up, go to work, and remain masked up for five days.  

I stay the course at work throughout the text vigil my sister and I are carrying on. When my father dies on Thursday morning I go in. I go in the Friday after he dies. I tell no one at my job what happened. I know what they would say, out of kindness, but I don’t want to hear any of it. 

I am a person wandering through my days without a blueprint.

The world doesn’t stop because I am having a text vigil with my sister or in deference to my father dying. As luck would have it, life decided to deal me a shitshow, along with, as children’s book author Judith Viorst so aptly put it, one Terrible, Horrible, No Good, Very Bad Day.

But I go to work anyway. I also watch myself go to work. I think about the girl I was. The grown version of me goes to work and takes the girl along. 

A girl whose father leaves her family on her first day of kindergarten might not find it necessary to take time off from work as he sickens, then dies. 

 When the girl is fourteen years old and scheduled for every other week visitation with the father - visitations that, in retrospect, probably should have been held with a social worker present - he doesn’t show up. He has what was then called a nervous breakdown, moves across the country, tells no one, and goes missing for years. It turns out that the girl never sees the father again. 

If the fourteen-year-old girl goes about her business as usual, albeit with trust issues and confusion around attachment - then the grown-up version would logically do the same.

The father surfaces again, wanting to see the girl. He is unable to abide by the most basic boundaries she has for him and is so devoid of empathy that the girl ultimately refuses his proposals for any kind of relationship. 

That girl’s refusal sends the now more than grown woman into her place of employment.

A girl who is estranged from her father does not tell her colleagues what happened because their condolences and offers of accommodations would be for a girl with a regular dad, not a girl with this dad. She does not have the bandwidth to tell them the nuances of the situation. 

So the girl goes to work. What she does have the bandwidth to do is work hard. She works hard in a way that is reminiscent of her mother and grandmother. She works hard despite the bits of fatigue she still holds from Covid. Her work ethic remains untouched by the vigil and death of a man who had a great deal of trouble getting up in time for work or holding a job. Her matrilineal inheritance assures that she not only goes to work but also sees the irony in the situation. 

I don’t know what to say, my father’s sister, my aunt, who is also estranged from my father, says. She DMs me on Instagram.

The girl struggles to put words to what has happened. It has no container. There is nothing that Hallmark makes that can speak to this, no collective vocabulary. 

But then it happens. The girl hits upon a simple phrase. The girl I watch grow up with a deadbeat dad is nothing if not resourceful. That girl takes care of business. Now the girl’s phrase is mine.

I’m sorry about the death of your estranged father. 

If you read this and you know me, say these words. Extend them to me. I’m sorry about the death of your estranged father. 

Loss that has no home now has some words. There are no euphemisms, no pretty turn of phrase. There’s no mincing these words either. 

I am little and my father takes me to Green Lakes State Park. There are parts of the lake hundreds of feet deep. The water is so clear you can see all the way to the bottom. All my murky, mixed-up feelings give way to the crystalline depth of that lake. My estranged father died. I am sorry that my estranged father died.

From the archives:
That which stands tall, that which frays

Sunday, June 11, 2023

The Spill


I’m not telling anyone I said. He nodded. Some things should be kept between two people he said.

And for a time, that’s just what I did. I kept it all in a tiny box.

Then it changed. Let me explain.

What happened is not dead. It’s a crisp twenty dollar bill burning a hole in my pocket.

This secret has its own biography. You can barely see it here. But come a time, I don’t know when, where it will get spilled, making the sound of a bottle of whiskey held upside down and poured down the drain. The flood of it will soak this entire page.

From the archives:
Pegboard
The long fade

Sunday, February 20, 2022

That which stands tall, that which frays


I have no exoskeleton. I have no bottom underneath. I remind myself of the helpers. Right on cue, one appears.

The man understands instantly that all is not well. He comes bearing a soothing voice and all manner of assistance. I was not expecting the bouquet but after the first smack of surprise, I realize it is just what I need.

The bouquet is not a professional floral arrangement. It’s Queen Ann’s Lace, those tiny blue flowers I don’t know the name of, dandelions plump and yellow. Best of all are sprigs of lavender. I fill a canning jar with water, snip the bottoms of everything and put the gift on my table, stems splaying at angles, others upright. I breathe in the grassy smells and especially the lavender.

Other helpers come because they are called, I go out to meet others. They arrive in the form of words or provisions. It’s alright, all of it. How many times, have I, in fact, been the helper? Too many times to count? Yes.

For days upon days, the flowers brighten and refuse to fade. Blooms I didn’t notice when the bouquet arrived unfurl and blossom. I know it won’t last forever, this flower show in the midst of it all. It went on longer than I thought it would. That’s important to mention.

Slowly, then quickly the inevitable transpires. Eventually it all ends up in the garbage. The memories carry me a little, until they don’t.

I make a phone call to the man who brought the kind eyes, the bouquet. I can’t expect him to read my mind even if he did do so that one time.

He is scattered, sorry I am not well, but his voice is too brusque for patience. When I mention the bouquet and gather my resources to ask for another, he finds this funny. You can’t depend on flowers! That is not what they are for! The idea of him keeping me supplied with bouquets strikes him as ludicrous. He’s still laughing when I say a hasty goodbye. Someone is at the door, I lie.

I realize that the man has empathy that flits on and off like a faulty wire.

I vent about it to the others. It amuses me. But I am still unwell.

Somebody suggests I learn to sit with anger, learn to tolerate the discomfort. This I cannot do.

It is winter, there are no flowers in the park even if I could justify picking them. The weeds nobody cares about are dead. There is no money for the florist even if I like what they have, which I don’t.

I rifle around for leftovers, anything to be put to use. A rainbow of construction paper, a stash of pipe cleaners, tissue paper, yarn. The YouTube videos are too crafty, too calculated. I am left with myself. I make my own damned bouquet, stick it in a proper vase, then tape some individual flowers, all misfits, to the walls.

He shows up some days or weeks later, everything blends together now. He brings wisdom he thinks I want and some books of advice. He means well.

What’s the matter, he finally asks, brows furrowed. He can’t figure this out. Nothing, I say.

From the archives:
Pegboard
Hospitality
Check Back With Me Later

Thursday, December 30, 2021

1963

The mother cradles the baby in white and yellow, green, black-gold, the sun rises warm red, a blue primrose nursery, newborn creatures tumble, flap wings, prance, parade along, three or four apace, the baby prattles with the sparrows, blows kisses to four bunnies rampaging in her toy box, the infant fox meets her slate blue eyes, the spindly-spotted rise on shaky legs licking her unfurled petal hand. Two field mice place a daisy crown in her hair as owls joyfully scatter roses. 

When the animals take their leave, she forgets their ministrations around her tears, her tender beating heart, sticky human words amass, the language of squirrels and chipmunks relegated to maple trees and running brooks full of pollywogs, the stray cat skulks away, swans and geese look all the same to her now.

The baby outsmarts the playpen, the back door slams on its hinges,the mother pulls gravel from her skinned knees with tweezers, the girl plays with children on splintered sea saws, twirling sticks in filthy puddles, she lifts heavy rocks to stare, unflinching at all who live in the dark. Somewhere between girl and maid she blows dandelion-like toward the mean streets, in smears of sandy dirt and cracked sidewalks, she grows the very arms and legs she needs, as feminine as she is, as well as anyone.

From the archives:

Saturday, October 23, 2021

Everywhere is sacred but if it’s not there’s always someplace else



Before you drop everything for the romance of the Pacific Crest Trail. Here’s a book about dirt and stink and calloused skin, of shriveled, freeze-dried food, of snow in summer, and things held dear dropped over steep ravines.

Tornados ravage the flatlands, turning love to dust but catch yourself and hold on tight before getting smug about it because the undulating hills you live on has folks so crammed up against each other that sickness gets passed among you faster than a game of telephone. 

Earthquakes or floods, droughts or out in the middle of nowhere and nobody helps, or stuck in a city and still nobody helps. 

There’s so many ways of staying where you are but the choice to leave could be so good that everybody who knows you says you’re a different person in a good way, not that they didn’t like you before. Or it could be shoes that refuse to fit and a tail between your legs. The roots you lay down are a sad sack sorry life but just as easy it could be brick by brick reaching all the way to heaven. 

Before you even think of moving to central New York where an intricate meandering fixer upper enough for a family of twenty awaits you for so little coin it’s ridiculous not to do it, read every single one of Joyce Carol Oates volumes including the ones that don’t have that place etched in its pages and I’m sorry she’s so prolific. Before you pack up your stuff, either by yourself or with hired hands, I’m going to ask you to do the same, no matter where you’re going, the only reason why is because I said so. 

If you read what I did in the last six weeks then you’ve seen Harlem, Norway, Germany, the inside of a mobile home, rooms in a hospital, a pig farm, an undisclosed location, another place so specific I started skimming just to get to the end of it. This won’t help you at all, not in any business-like way you’re maybe asking for, and I sense I’m so far off track as to have gone the other way and start making sense, but in either case  it bears mentioning anyway.

From the archives:
Best Case Scenario
The sun it did rise again
To mend 

Sunday, September 19, 2021

Music Lover

Two thousand eighteen turned into two thousand nineteen and even a small slice of two thousand twenty. His average concert attendance was probably around once a week.

But averages tell an incomplete story. There were the nights when he zigzagged all over the city, attending three distinct and separate musical performances in one evening. More often than not he could go to as many as four intriguing gigs at any given time, but unable to clone himself, chose the most important, the cheapest, the newest, or the most convenient. If he could be physically present at more than one concert he would. 

Often he extended invitations to other music lovers but having a friend along was not a deal breaker. The truth is, he didn’t care much one way or the other. At least three quarters of the time he went alone. 

He’d go from home, comfortable in his own skin, clad in jeans and a tee shirt bought at another band’s merch table, taking a train to the upper west side or a crazy quilt of transportation to some out of the way neighborhood at the edge of nowhere. He liked stadium shows and tiny intimate venues.

He’d go straight from work, dressed for the office, the oldest guy in the room, people  assuming he was the manager or from the label. 

Eventually he organizes himself differently around after-work performances. He brings jeans, a signature tee shirt and casual socks to work. Concerts outside of the rarified classical or New Music genres can be sticky affairs. He does not relish the idea of spilt beer on his dress shoes or briefcase. In changing from one costume to another, he refuses to be placed in a box. He had the satisfaction of surprising colleagues, who only knew the business side of him.

If good music was playing or had been played, he belonged there. This belonging, giving himself a seat at the table allowed him to stride purposefully to the bar, the front of the stage or backstage to talk to the headliner, the drummer, the raw opening band singer, the accomplished cellist. Knowing that he loved a good musical hang, and would be late coming home I insisted on a cab. He complied.

Rock, folk, hip hop. classical, avant-garde. country. Music impossible to define. Blockbuster acts almost everyone liked, folks no one has heard of but him and half a dozen people. Nose bleed seats at Carnegie Hall. Standing for hours, eyes affixed on the tiny stage. Dancing wildly among strangers at a DJ set. One of the crowd at Madson Square Garden. Folded into a camp chair in leafy Prospect Park. Every one of them is his happy place. He’s not put off by the minuscule smattering of people at a brave, first concert. He is also perfectly fine being cheek by jowl in a  sweaty, overheated mess. 

More often than not a concert will have a second life. He likes nothing better than to tell other people what to listen to and why. He will work his words, his photographs, his intricate impressions into a story. He will remember every musician’s name and every note. He will notice what they do not notice themselves. 

He is not an epidemiologist or a fortune teller. He doesn’t know what a pandemic will be like until he is in one. One day he is squeezed around a table, listening to a vocalist with the voice of an angel, a windswept walk away from home. He thinks nothing of leaning in close to our friends, friends of friends, and friends’ new boyfriends to whisper between songs. The next instant he is locked up. 

Heroes go to work and ride the subway but everyone else is on lockdown. He’s cooped up, but so are the musicians. Everybody regroups. 

He shows up in virtual spaces and is not constrained by the rectangle to which he’s relegated. Singers, guitar players, people making their own instruments. He’s witness to their living rooms and basements, empty stages, the accidents happy and unhappy. 

He casts live concerts, enlarged and hyperreal to the TV. He plays vinyl, old and new on his turntable. He stands before his collection, and transfixed, pulls out a CD and stares. Music accompanies him while working remotely at our dining table, soft and low. His movements are curtailed by four walls but because of screens he travels to other continents, cultures, and time zones. He is witness to musicians reinventing themselves and they see him too.

He is rapt as though this were his chosen path, the only place to be. 

He must miss his former life. There was a time when he breathed the very same air as these musicians. Never once did he behave as though a Zoom concert was second fiddle. Not once did he complain. 

When his turn comes, he’s vaccinated. Afterwards he remains cautious and calmly watchful. The two year old child I lost to cancer was his too. He knows that life is fragile. He is not afforded denial. He makes do without it.

When the CDC says that vaccinated people can do whatever they like, he hangs back. When they change their stance, he is unsurprised. He has an inner compass which tells him what to do. It tells him to be careful.

Like a rare jewels or diamonds in the rough, some live music beckons him and he follows. He attends a concert at dusk in a historic, old cemetery. As the sun sets he walks about, masked and in like company, from one musical station to the next. For one precious evening those living mingle with the dead. 

He briefly digs in his heels about a gathering in a city park to honor a famous dead musician. It is the one time when his patience around the pandemic becomes frayed and britttle. As the guest list expands, then bloats to a number he deems unreasonable he reluctantly stays home. 

He attends an outdoor concert on a brand new island cooled by wind coming off of the water.

A favorite musician plays in an apple orchard and he shows up. Musicians can be afraid too. Musicians gather a community in the freshest, safest, most fruit and tree perfumed air. They do his bidding and he theirs. 

If the weather holds, if the pandemic doesn’t get any worse, if a natural disaster doesn’t threaten the shoreline, he is scheduled to go to a concert soon. He will be listening to live music. He will be listening while seated in a canoe. 

From the archives:
I suffered for their art
Take This Inspiration And Shove It
Lucky

Monday, September 6, 2021

Even The Locusts Wouldn’t


It works its way under my clothes
Traces my spine then spins around front 
Finding every tiny paper cut and scrape
Before pooling dark and syrupy
Where it always meets me
Where it likes to go 

Then, because it can
It finds me at home 
Coming in the back way, down the basement stairs
It works together with the termites who arrived first
It eats through the cellar floor then onto the foundation
Turning all that once stood firm to dust

Finishing there 
It moves to my pretty tended garden
A modest but colorful affair 
It takes its food and fodder 
Then fortified and ready 
It swings itself, catty corner, across the street
Smug and full of itself
To my wretched neighbor’s yard 

From the archives:
Shana Tova
Scissors
Mammalia